http://www.myspace.com/nicoletteleighlarson
"Lotta Love" by the late Nicolette Larson
Its gonna take a lotta love
To change the way things are.
Its gonna take a lotta love
Or we wont get too far.
So if you look in my direction
And we dont see eye to eye,
My heart needs protection
And so do i.
Its gonna take a lotta love
To get us thru the night.
Its gonna take a lotta love
To make things work out right.
So if you are out there waitin
I hope you show up soon,
cause my heart needs relatin
Not solitude.
Gotta lotta love
Gotta lotta love.
Its gonna take a lotta love
To change the way things are.
Its gonna take a lotta love
Or we wont get too far.
Its gonna take a lotta love
To change the way things are.
Its gonna take a lotta love
Or we wont get too far
-----
eagles
Look at us baby, up all night
Tearing our love apart
Aren't we the same two people who live
through years in the dark?
Ahh...
Every time I try to walk away
Something makes me turn around and stay
And I can't tell you why
When we get crazy,
it just ain't to right,
(try to keep you head, little girl)
Girl, I get lonely, too
You don't have to worry
Just hold on tight
(don't get caught in your little world)
'Cause I love you
Nothing's wrong as far as I can see
We make it harder than it has to be
and I can't tell you why
no, baby, I can't tell you why
I can't tell you why
No, no, baby, I can't tell you why
I can't tell you why
I can't tell you why
------------------
elo
Youre sailing softly through the sun
In a broken stone age dawn.
You fly so high.
I get a strange magic,
Oh, what a strange magic,
Oh, its a strange magic.
Got a strange magic,
Got a strange magic.
Youre walking meadows in my mind,
Making waves across my time,
Oh no, oh no.
I get a strange magic,
Oh, what a strange magic,
Oh, its a strange magic.
Got a strange magic,
Got a strange magic.
Oh, Im never gonna be the same again,
Now Ive seen the way its got to end,
Sweet dream, sweet dream.
Strange magic,
Oh, what a strange magic,
Oh, its a strange magic.
Got a strange magic,
Got a strange magic.
Its magic, its magic, its magic.
Strange magic,
Oh, what a strange magic,
Oh, its a strange magic.
Got a strange magic.
Strange magic strange magic
Oh, what a strange magic strange magic
Oh, its a strange magic.
Got a strange magic.
Strange magic strange magic
Oh, what a strange magic strange magic
Oh, its a strange magic.
Got a strange magic,
Got a strange magic,
You know I got a strange magic,
Yeah, I got a strange magic,
Oo-o-o-oo, strange magic. (fade)
-------------------
G
So far away doesn't anybody stay
C
In one place anymore
Am D7
It would be so fine to see
G C D7
Your face at my door doesn't help to know
G
You're just time away long ago I reached
C
For you and there you stood
Am D7 G
Holding you again could only do me good
C D7 G D
How I wish I could but you're so far away
Em C
One more song about moving along the highway
D7 G
Can't say much of anything that's new
Bm Am
If I could only work this life out my way
D Em Am
I'd rather spend it bein' close to you
D7 G
But you're so far away doesn't anybody stay
C Am D7
In one place anymore it would be so fine to
G C D7
See your face at my door doesn't help to know
G C Am D7
You're just time away yeah you're so far away
C G Am C
Travelin' around sure gets me down and lonely
Am D7 G
Nothin' else to do but close my mind
Bm Am
I sure hope the road don't come to own me
D Em Am7 D7
There's so many dreams I've yet to find
G
But you're so far away > Repeat and fade
-----------------
See also: The Virgin Suicides (score)
The film's score featured two tracks by the French electronic band Air, including "Playground Love". The film soundtrack featured songs by 1970s-era performers and by Sloan. A separate soundtrack album was released, featuring music from Heart and Todd Rundgren.
* The Hollies - "The Air That I Breathe"
* Carole King - "So Far Away"
* Heart - "Crazy on You" and "Magic Man"
* Sloan - "Everything You've Done Wrong", "The Good in Everyone", "On the Horizon", "Can't Face Up" and "The Lines You Amend"
* Al Green - "How Can You Mend a Broken Heart?
* Electric Light Orchestra - "Strange Magic"
* 10CC - "I'm Not in Love"
* Gilbert O'Sullivan - "Alone Again (Naturally)"
* Todd Rundgren - "Hello, It's Me"
* Styx - "Come Sail Away"
------------------
Super Seventies RockSite!'s
Seventies MIDI Jukebox
Blacklight Bar
Jukebox Artists
rom ABBA to ZZ Top, here are 170 great Seventies hit singles and album tracks in MIDI format. With the Seventies MIDI Jukebox, you can surf the rest of Super Seventies RockSite! as your favorite MIDI plays in the background!
The Seventies MIDI Jukebox is best experienced with a MIDI player installed in Internet Explorer version 3.x or higher, or Netscape Navigator and Communicator version 2.0 or higher. JavaScript must also be enabled in either browser.
All By Myself
All Right Now
Alone Again (Naturally)
American Pie
And I Love You So
Angie
Aqualung
At Seventeen
Babe
Baby, Don't Get Hooked On Me
Baby I'm-A Want You
Band On The Run
Behind Closed Doors
Bennie And The Jets
Beth
Big Barn Bed
Black Friday
Black Magic Woman
Bloody Well Right
Blow Away
Bohemian Rhapsody
Born To Run
Boys Are Back In Town
Brain Damage
Bridge Over Troubled Water
Brown Sugar
Build Me Up Buttercup
Bungle In The Jungle
Candle In The Wind
Cat's In The Cradle
City Of New Orleans
Come Sail Away
Cracklin' Rosie
Crocodile Rock
Dancing Queen
December 1963 (Oh, What A Night)
Desperado
Devil Went Down To Georgia
Disco Inferno
Do It Again
Don't Cry Out Loud
Don't Fear The Reaper
Don't Go Breaking My Heart
Don't Let The Sun Go Down On Me
Do Ya Think I'm Sexy
Dream On
Dream Weaver
Easy Living
Evergreen
Family Affair
Fernando
Fire And Rain
Fly Like An Eagle
Fooling Yourself (The Angry Young Man)
For My Lady
Frankenstein
Give A Little Bit
Going To California
Gonna Fly Now
Goodbye Stranger
Goodbye Yellow Brick Road
Grand Illusion
Green-Eyed Lady
Have You Never Been Mellow
He Ain't Heavy, He's My Brother
Heart Of Glass
Hello It's Me
Hey You
Hold The Line
Hopelessly Devoted To You
Hotel California
How Deep Is Your Love
I Can See Clearly Now
I Don't Know How To Love Him
I'd Love To Change The World
If
If You Could Read My Mind
If You Don't Know Me By Now
I Hear You Knockin'
I Will Survive
I'm Just A Singer (In A Rock & Roll Band)
Imagine
It Don't Matter To Me
Joker
Jungle Boogie
Just The Way You Are
Kashmir
Killing Me Softly With His Song
Knock Three Times
Knocking On Heaven's Door
Knowing Me, Knowing You
La Grange
Lean On Me
Le Freak
Let It Be
Let Your Love Flow
Lion Sleeps Tonight
Listen To The Music
Live And Let Die
Long Cool Woman (In A Black Dress)
Long Train Runnin'
Love Her Madly
Love's Theme
Love Will Keep Us Together
Low Rider
Maggie May
Mama Told Me (Not To Come)
Margaritaville
Me And Mrs. Jones
Mercy Mercy Me (The Ecology)
Midnight Train To Georgia
Miss You
Mission (A New World Record)
Mr. Blue Sky
My Heart Belongs To Me
Nights In White Satin
Nineteen Hundred And Eighty Five
Nobody Does It Better
No Quarter
Oh Girl
Old Time Rock & Roll
One Summer Dream
One Tin Soldier
Oye Como Va
Part Of The Plan
Piano Man
Play That Funky Music
Popcorn
Put Your Hand In The Hand
Radar Love
Raindrops Keep Fallin' On My Head
Rhiannon
Riders On The Storm
Rocket Man
Roundabout
Send In The Clowns
Shaft
Shining Star
Smoke On The Water
Stairway To Heaven
Story In Your Eyes
Superstition
Suspicious Minds
Take A Chance On Me
Take The Long Way Home
Taking Care Of Business
Tequila Sunrise
That's The Way I Like It
The Great Gig In The Sky
These Eyes
(They Long To Be) Close To You
Tie A Yellow Ribbon...
Vehicle
Walk This Way
Waterloo
We Are Family
We Are The Champions
We Will Rock You
What A Fool Believes
What's Going On
Who'll Stop The Rain
Wish You Were Here
Witchy Woman
Wonderful Tonight
Year Of The Cat
Y.M.C.A.
You Ain't Seen Nothing Yet
You Make Me Feel Like Dancing
You're The One That I Want
Your Song
-----
http://www.superseventies.com/midijukebox/yearofthecat.mid
Magic - Olivia Newton John
Kira:
Come take my hand.
You should know me.
I've always been in your mind.
You know I will be kind.
I'll be guiding you.
Building your dream .
Has to start now.
There's no other road to take.
You won't make a mistake.
I'll be guiding you.
You have to believe we are magic.
Nothin' can stand in our way.
You have to believe we are magic.
Don't let your aim ever stray.
And if all your hopes survive.
Destiny will arrive.
I'll bring all your dreams alive
For you.
I'll bring all your dreams alive
For you.
From where I stand
You are home free.
The planets align so rare.
There's promise in the air.
And I'm guiding you.
Through every turn.
I'll be near you.
I'll come anytime you call.
I'll catch you when you fall.
I'll be guiding you.
Ohhhhhh. . .
You have to believe we are magic.
Nothin' can stand in our way.
You have to believe we are magic.
Don't let your aim ever stray.
And if all your hopes survive.
Destiny will arrive.
I'll bring all your dreams alive.
For you.
I'll bring all your dreams alive.
For you.
---
As I walk this land with broken dreams
I have visions of many things
Love's happiness is just an illusion
Filled with sadness and confusion,
What becomes of the broken hearted
Who had love that's now departed?
I know I've got to find
Some kind of peace of mind
Maybe.
The fruits of love grow all around
But for me they come a tumblin' down.
Every day heartaches grow a little stronger
I can't stand this pain much longer
I walk in shadows
Searching for light
Cold and alone
No comfort in sight,
Hoping and praying for someone to care
Always moving and goin to where
What becomes of the broken hearted
Who had love that's now departed?
I know I've got to find
Some kind of peace of mind
Maybe.
I'm searching though I don't succeed,
But someone look, there's a growing need.
Oh, he is lost, there's no place for beginning,
All that's left is an unhappy ending.
Now what's become of the broken-hearted
Who had love that's now departed?
I know I've got to find
Some kind of peace of mind
I'll be searching everywhere
Just to find someone to care.
I'll be looking everyday
I know I'm gonna find a way
Nothings gonna stop me now
I'll find a way somehow
I'll be searching everywhere
-----
So rare
You’re like the fragrance of blossoms fair
Sweet as a breath of air
Fresh with the morning dew
So rare
You’re like the sparkle of old champagne
Orchids in cellophane
Couldn’t compare to you
You are perfection
You’re my ideal
Of angels singing the Ave Maria
For you’re an angel
I breathe and live you
With every beat of the heart that I give you
So rare
This is a heaven on earth we share
Caring the way we care
Ours is a love so rare
===
http://www.songtrellis.com/sounds/viewer$4316
the great gatsby - nelson riddle
What'll I Do irving berlin
when you and i were seventeen gus kahn
a'int we got fun
charleston
beale street blues
yes sir that's my baby
the sheik of araby
who? hammerstein kern
whispering
i'm gonna charleston back to charleston
it had to be you gus kahn
three oclock in the morning
all alone
alice blue gown
five foot two eyes of blue
kitten on the keys
-----
Every morning
Every evening
Ain't we got fun
Not much money
Oh but honey
Ain't We Got Fun
The rent's unpaid dear
We have'nt a bus
But smiles were made dear
For people like us
In the winter
In the summer
Don't we have fun
Times are bum and getting bummer
Still we have fun
There's nothing surer
The rich get rich and the poor get children
In the meantime
In between time
Ain't we got fun
Every morning Every evening
Don't we got fun
Twins and cares dear
Come in pairs dear
Don't we have fun
We've only started
As mommer and pop
Are we downhearted
I'll say that we're not
Landlords mad and getting madder
Ain't we got fun
Times are bad and getting badder
Still we have fun
There's nothing surer
The rich get rich and the poor get laid off
In the meantime
In between time
Ain't we got fun
Night or day-time
It's all play-time
Ain't we got fun
Hot or cold days
Any old days
Ain't we got fun
If wifie wishes
To go to a play
Don't wash the dishes
Just throw them away
Street car seats are awful narrow
Ain't we got fun
They won't smash up our Pierce Arrow
We ain't got none
They've cut my wages
income tax will be so much smaller
When I'm paid off
I'll be laid off
Ain't we got fun
I knew a man Bojangles and he danced for you in worn out shoes
With silver hair, a ragged shirt and baggy pants, the old soft shoe
He jumped so high, he jumped so high,
Then he lightly touched down
I met him in a cell in New Orleans, I was - down and out
He looked at me to be the eyes of age as he spoke right out
He talked of life, he talked of life, he laughed, slapped his leg a step
Mr. Bojangles, Mr. Bojangles
Mr. Bojangles, dance!
He said his name, Bojangles, then he danced a lick across the cell
He grabbed his pants a better stance, oh, he jumped up high,
Then he clicked his heels
He let go a laugh, he let go a laugh,
Shook back his clothes all around
Mr. Bojangles, Mr. Bojangles
Mr. Bojangles, dance!
He danced for throws at minstrel shows and county fairs
Through out the south
He spoke with tears of fifteen years how his dog and him
Had traveled about
His dog up and died, he up and died, after twenty years he still grieves
He said I dance now at every chance in honky tonks
For drink and tips
But most of the time I spend behind these county bars
'Cause I drinks a bit'
He shook his head and as he shook his head
I heard someone ask him `Please'
Please
Mr. Bojangles, Mr. Bojangles
Mr. Bojangles, dance!
Mr. Bojangles, Mr. Bojangles
Mr. Bojangles, dance!
Betcha By Golly, Wow stylistics
There’s a spark of magic in your eyes
Candyland appears each time you smile
Never thought that fairytales came true
But they come true, when I’m near you
You’re a genie in disguise
Full of wonder and surprise
And, Betcha by golly Wow!
You’re the one that I’ve been waiting for forever
Forever will my love for you keep growing strong, keep growing strong
If I could I’d catch a falling star to shine on you so I’d know where you are
All the rainbows in your favorite shade to show I love you thinking of you.
Write your name across the sky
Anything you have to try
Betcha by golly Wow!
You’re the one that I’ve been waiting for forever
Forever will my love for you keep growing strong, keep growing strong
OOOOOh….Write your name across the sky
Anything you have to try
Cause…Betcha by golly Wow!
You’re the one that I’ve been waiting for forever
Forever will my love for you keep growing strong, keep growing strong
Keep growing strong (moving on and growing……ad lib to end)
Precious and Few
~ Climax
Precious and few are the moments we two can share.
Quiet and blue, like the sky, I'm hung over you.
And if I can't find my way back home, it just wouldn't be fair.
Precious and few are the moments we two can share.
Baby, it's you on my mind, your love is so rare.
Being with you is a feeling I just can't compare.
And if I can't hold you in my arms, it just wouldn't be fair.
Cause' Precious and few are the moments we two can share.
And if I can't find my way back home it just wouldn't be fair
Cause' Precious and few are the moments we two can share.
Precious and few are the moments we two can share.
Quiet and blue, like the sky, I'm hung over you.
And if I can't find my way back home, it just wouldn't be fair.
Cause' Precious and few are the moments we two can share.
"killing me softly"
by
fugees
(CHORUS)
Em Am D7 G
Strumming my pain with my fingers. singing my life with his words.
G A D C
Killing me softly with his song. Killing me softly with his song.
G C
Telling my whole life with his words.
Esus4 E
Killing me softly, with his song.
G: 320033
Am7 D A: x02220
I heard he sang the good song. Am: x02210
G C B7: 224232
I heard he had a style. C: x32010
Am7 D D: xx0232
And so I came to see him, D7: xx0212
Em Am7: x02010
and listen for a while. Esus4: 02220x
Am7 D7 E: 022100
And there he was a young boy Em: 02200x
G B7
a stranger to my eyes.
Killing Me Softly With His Song- Roberta Flack
(CHORUS)
Em Am
Strumming my pain with my fingers.
D7 G
singing my life with his words.
Em A7/C#
Killing me softly with his song.
D C
Killing me softly with his song.
G C
Telling my whole life with his words.
Esus4 E
Killing me softly, with his song.
Am7 D
I heard he sang the good song.
G C
I heard he had a style.
Am7 D
And so I came to see him,
Em
and listen for a while.
Am7 D7
And there he was a young boy
G B7
a stranger to my eyes.
Magic (olivia Newton-john) lyrics
Come take my hand, you should know me, I've always been in your mind
You know I will be kind, I'll be guiding you
Building your dream has to start now, there's no other road to take
You won't make a mistake, I'll be guiding you
Chorus:
You have to believe we are magic, nothin' can stand in our way
You have to believe we are magic, don't let your aim ever stray
And if all your hopes survive, destiny will arrive
I'll bring all your dreams alive, for you
I'll bring all your dreams alive, for you
From where I stand you are home free, the planets align so rare
There's promise in the air, and I'm guiding you
Through every turn I'll be near you, I'll come anytime you call
I'll catch you when you fall, I'll be guiding you
chorus
(Instrumental break)
chorus
Air That I Breathe Lyrics
If I could make a wish, I think I'd pass, can't think of anything I need
No cigarettes, no sleep, no light, no sound
Nothing to eat, no books to read
Making love with you has left me peaceful, warm and tired
What more could I ask, there's nothing that we desired
Peace came upon me and it leaves me weak
So sleep, silent danger, go to sleep
Chorus:
Sometimes, all I need is the air that I breathe, and to love you
All I need is the air that I breathe, yes to love you
All I need is the air that I breathe
Peace came upon me and it leaves me weak
So sleep, silent danger, go to sleep
(chorus)
Peace came upon me and it leaves me weak
So sleep, sileng castles in the sand ?
since i found you lyrics air supply
I, I was the lonely one
Wondering what went wrong
Why love had gone
And left me lonely
I, I was so confused
Feeling like I'd just been used
Then you came to me
And my loneliness left me
I used to think I was tied to a heartache
That was the heartbreak
But now that I've found you
CHORUS
Even the nights are better
Now that we're here together
Even the nights are better
Since I found you
You, you knew just what to do
Cause you had been lonely too
And you showed me how
To ease the pain
And you did more
Than mend a broken heart
Cause now you've made a fire start
And I, I can see that you feel
The same way
I never thought there'd be someone to hold me
But then you told me
And now that I've found you
CHORUS
Even the days are brighter
When someone you love's beside ya
Even the nights are better
Since I found you
Right click the song names to download the Midi files and karaoke files of Seals And Crofts
Diamond Girl
Get Closer
Hummingbird
Ill Play For You
Summer Breeze
We May Never Pass This Way
1. The Time It Is Today
2. Everything That Touches You
3. Like Always
4. Never My Love
5. Requiem For The Masses
6. Along Comes Mary
7. Enter The Young
8. No Fair At All
9. Time For Livin'
10. We Love
11. Cherish
12. Windy
13. Six Man Band
192kbps w/cover
51.7mb
01 Killing Me Softly 04:50
02 Jesse 04:04
03 No Tears (In The End) 04:57
04 I'm The Girl 04:56
05 River 05:04
06 Conversation Love 03:43
07 When You Smile 03:44
08 Suzanne 09:45
Elusive Butterfly
Bob Lind
(Words and Music by Bob Lind)
You might wake up some mornin'
To the sound of something moving past your window in the wind
And if you're quick enough to rise
You'll catch a fleeting glimpse of someone's fading shadow
Out on the new horizon
You may see the floating motion of a distant pair of wings
And if the sleep has left your ears
You might hear footsteps running through an open meadow
Don't be concerned, it will not harm you
It's only me pursuing somethin' I'm not sure of
Across my dreams with nets of wonder
I chase the bright elusive butterfly of love
You might have heard my footsteps
Echo softly in the distance through the canyons of your mind
I might have even called your name
As I ran searching after something to believe in
You might have seen me runnin'
Through the long-abandoned ruins of the dreams you left behind
If you remember something there
That glided past you followed close by heavy breathin'
Don't be concerned, it will not harm you
It's only me pursuing somethin' I'm not sure of
Across my dreams with nets of wonder
I chase the bright elusive butterfly of love
----- instrumental interlude -----
Across my dreams with nets of wonder
I chase the bright elusive butterfly of love
Reunited lyrics by Peaches & herb
Album: Non album tracks
I was a fool to ever leave your side
Me minus you is such a lonely ride
That breakup we had
Has made me lonesome and sad
I realize I love you
'Cause I want you back
Hey, hey
I spent the evening with the radio
Regret the moment that I let you go
Our quarrel was such
A way of learning so much
I know now that I love you
'Cause I need your touch
Hey, hey
(Chorus:)
Reunited, and it feels so good
Reunited, 'cause we understood
There's one perfect fit
And, sugar, this one is it
We both are so excited
'Cause we're reunited
Hey, hey
I sat here, staring at the same old wall
Came back to life just when I got your call
I wished I could climb
Right through the telephone line
And give you what you want
So you would still be mine
Hey, hey
I can't go cheatin', honey; I can't play
I found it very hard to stay away
As we reminisce
On precious moments like this
I'm glad we're back together
'Cause I missed your kiss
Hey, hey
(Repeat chorus)
Lover, lover, this is sudden love
And you're exactly what I'm dreamin' of
All through the day
And all through the night
I'll give you all the love I have
With all my might
Hey, hey
(Repeat chorus)
Hi Chris,
Sounds great for monday the 18th at 10am.
How to get here.
We are just south of the Countryside Hospital on McMullen Booth which is south of the Curlew Ave. Lt. After the Hospital Light going South...one comes Briar Creek Blvd. ...turn East into our Community. Go to the first stop sign..which is a ways in...then turn right at that stop sign and go to the top of the high driving South. You will come to Juniperus Drive that turns East. We are the last place on the south side ...128 Juniperus Drive.
If you get lost call me 727-669-0503.
Looking forward to seeing you.
David Hunkins - Brenda
- Show quoted text -
Lament
All I Ask of You
What Are You Doing The Rest of Your Life
When Sunny Gets Blue
Where Is The Love
Yamaha xs-7 dgx-203 3-ring with plastic laminated songs learned ~ 200
Download RingtoneSend “Do You Really Want To Hurt Me?” Ringtone to Your CellDownload Ringtone
Give me time
To realise my crime
Let me love and steal
I have danced
Inside your eyes
How can love be real
Do you really want to hurt me
Do you really want to
Make me cry
Precious kisses
Words that burn me
Lovers never ask you why
In my heart
The fires burning
Choose my colour
Find a star
Precious people always tell me
That's a step
A step too far
*Do you really want to hurt me
Do you really want to
Make me cry
Do you really want to hurt me
Do you really want to
Make me cry
Words are few
I have spoken
I could waste a thousand years
Wrapped in sorrow
Words are token
Come inside/and catch my tears
You've been talking
But believe me
If it's true
You do not know
This boy loves without a reason
I'm prepared
To let you go
If it's love you want from me
Then take it away
Everything is not what you see
It's over again
*Repeat again and again until 10 minutes later.
woman in love - barbra streisand http://www.sequinsbyeileen.com/midi.htm
Call Me Lyrics by Blondie
THE WAY I WANNA TOUCH YOU
Captain & Tenille
i never wanted
i never wanted to touch a man
the way that i want to touch you
i never wanted
i never wanted to love a man
the way that i want to love you
you are sunshine
you are shadows
you are morning
you are night
you are hard times
you are good times
you are darkness you are.....light
i never wanted
i never wanted to give a man
the things that i want to give you
i never wanted
i never wanted to live with a man
the way that i want to live with you
you are sunshine
you are shadows
you are morning
you are night
you are hard times
you are good times
you are darkness
you are.......light
i never wanted
i never wanted to touch a man
the way that i want to touch you......
the way that i want to touch you now.....
the way that i want to touch you.
A
A6
A7
A7/6
Unknown Bm7
Bm7-5
D
D6
D9
Dalt
Unknown
E7
Em7
F#m
F#m7
Fm7
G
Gdim
Gm7
G/B
Recorded by The Fleetwoods, 1959 (#1)
D Em7 A7 Gm7 D D9 Bm7 Gm7 A7 Em7 A7 D
Our guardian star lost all his glow the day that I lost you;
D Em7 A7 Gm7 D D9 Bm7 Gm7
He lost all his glitter the day you said "No"
A7 Em7 A7 D
and his silver turned to blue.
D6 Gm7 D G D A7 Em7 A7
Like him, I am doubtful that your love is true;
D G D A7 G/B Gm7 A Em7 A7 D Dalt G D A7
But if you decide to call on me, ask for Mis - ter Blue.
D F#m G A7 Bm7 F#m G
I'm Mr. Blue when you say you love me
A7 F#m Bm7 Em7
Then prove it by goin' out on the sly
A7 F#m7 Fm7 Em7
Provin' your love isn't true
A7 D Em7 A7
Call me Mr. Blue
D F#m G A7 Bm7 F#m G
I'm Mr. Blue when you say you're sorry,
A7 F#m Bm7 Em7
Then turn around, headin' for the lights of town
A7 F#m7 Fm7 Em7
Hurtin' me through and through --
A7 D
Call me Mr. Blue.
Bridge:
A7 Gdim A6 Dalt Gdim D
I stay at home at night (I stay at home)
A7 Gdim A6 Dalt Gdim
Right by the phone at night (right by the phone)
Bm7 F#m7 Bm7-5 E7 A7 A7 G D9 A7
But you won't call and I won't hurt my pride (call me mis - ter)
D F#m G A7 Bm7 F#m G
I won't tell you while you paint the town
A7 F#m Bm7 Em7
A bright red to turn it upside down
A7 F#m7 Fm7 Em7 A7 D Em7 A7
I'm paintin' it too -- but I'm paintin' it blue
A7 A7/6 G Em7 D F#m7 Fm7 Em7 A7 A7/6 G Em7 D F#m7 Fm7 Em7
Call me Mis-ter Blue, call me Mis-ter Blue,
A7 A7/6 G Em7 D
Call me Mis-ter Blue.
-
ARTIST: David Soul
TITLE: Don't Give Up On Us
Lyrics and Chords
Don't give up on us, baby
Don't make the wrong seem right
The future isn't just one night
It's written in the moonlight
And painted on the stars
We can't change ours
/ A Amaj7 / D E / C#m F#m / D A / / Bm - /
Don't give up on us, baby
We're still worth one more try
I know we put our last one by
Just for a rainy evening
When maybe stars are few
Don't give up on us, I know we can still come through
/ " / " / " / " / D C#7 / D E A - /
I really lost my head last night
You've got a right to stop believing
There's still a little love left, even so
/ F Fmaj7 / E A / C#7 F#m Bm E /
Don't give up on us, baby
Lord knows we've come this far
Can't we stay the way we are?
The angel and the dreamer
Who sometimes plays a fool
Don't give up on us, I know
We can still come through
It's written in the moonlight
And painted on the stars
We can't change ours
/ D A / / Bm - /
Don't give up on us, baby
We're still worth one more try
I know we put our last one by
Just for a rainy evening
When maybe stars are few
Don't give up on us, I know
We can still come through
Don't give up on us, baby
Don't give up on us, baby
/ A E / /
(don't go, please don't go...)
C Am Em
If you leave me now, you'll take away the biggest part of me
Em Am D G C
Ooo, ooo, ooo, ooo, no, baby please don't go
C Am Em
And if you leave me now, you'll take away the very heart of me
Am D G C
Ooo, ooo, ooo, ooo, no, baby please don't go
F(add9) Bbm F
A love like ours is love that's hard to find
Am F G C Bm E
How could we let it slip away?
F(add9) Bbm F
We've come to far to leave it all behind
Am F G C
How could we end it all this way?
Em Am Dm Fm
When tomorrow comes and we'll both regret things we said today
A love like ours is love that's hard to find
How could we let it slip away?
We've come to far to leave it all behind
How could we end it all this way?
When tomorrow comes and we'll both regret things we said today
C Am Em
If you leave me now, you'll take away the biggest part of me
Am D C
Ooo, ooo, ooo, ooo, no, baby, please don't go
Am D G C
Yvonne Elliman - If I Can't Have You Lyrics
bee gees http://www.youtube.com/watch?v=R8hyDf07Rk4 key of B
Intro: Cm Dm Gm Dm C Dm Eb Bb
F
Don't know why
Bbm/F F
I'm surviving every lonely day,
C/F
when it's got to be
Bb/F
no chance for me.
F
My life would end,
Bbm/F F
and it just don't matter how I cry
C/F
my tears of love,
Bb/F
a waste of time.
C/F
If I turn away,
Bb
am I strong enough to see it through?
Gm7 Bb C11
Go crazy is what I will do.
Dm
If I can't have you,
C
I don't want nobody, baby.
Am
If I can't have you.
Dm
Ah Ah.
If I can't have you,
C
I don't want nobody, baby.
Am
If I can't have you.
Dm
Ah ah.
F
Can't let go,
Bbm/F F
and it doesn't matter how I try.
C/F
I gave it all
Bb/F
so easily
C/F
to you, my love,
Bb Gm7
to dreams that never will come true.
Bb Gm7
Am I strong enough to see it through?
Bb C11
Go crazy is what I will do.
Dm
If I can't have you,
C
I don't want nobody, baby.
Am
If I can't have you.
Dm
Ah Ah.
If I can't have you,
C
I don't want nobody, baby.
Am
If I can't have you.
Dm
Ah ah.
http://www.youtube.com/watch?v=uSPiD4jCoBk
http://www.youtube.com/watch?v=HxvYsxf7f5s&NR=1 bee gees
1:28 p.m.
Rate it:
1
2
3
4
5
6
7
Avg. rating: 5/7
With You I'm Born Again
Billy Preston & Syreeta
wichita lineman glen campbell
you belong to me carly simon
C D
How can I be sure
C D
In a world that's constantly changing
C D
How can I be sure
F Em D
Where I stand with you
Scott - I am just playing around with bubblegum music on the piano but it's just so darn pretty.
Can you tell me what key this is in? Is it a D harmonic minor with A7 as the Dom7?
How Can I Be Sure (what key this song is in?)
http://www.youtube.com/watch?v=GwiJxHwDE40 original rascals version
Verse 1:
Dm Dm7 I think it goes: Dm DmM7 Dm7 Gm7 A7
Whenever I...
Dm6 Gm6 A7
Whenever I am away from you
Dm Dm7
I wanna die
Dm6 Gm6 A7
'Cause you know I wanna stay with you
F#m7 Bm7
How do I know
Em7 A7 F#m7 Bm7
Maybe you're trying to use me
Em7 A7 Fmaj7 Dm7
Flying too high can confuse me
Gm7 C7 D
Touch me but don't take me down
Verse 2:
Whenever I...
Whenever I am away from you
My alibi
Is telling people I don't care for you
Maybe I'm just hangin' around
With my head up, upside down
It's a pity, I can't seem to find someone
Fmaj7 Dm7 Gm7 C7 D
Who's as pretty and lovely as you
Break:
C D
How can I be sure
C D
I really, really, really wanna know
C D
I really, really, really wanna know
Verse 3:
How's the weather
Whether or not we're together
Together we'll see it much better
I'll love you, I'll love you forever
You know where I can be found
Coda:
C D
How can I be sure
C D
In a world that's constantly changing
F Em D
How can I be sure
F Em D
I'm sure with you
Based on your changes, the song modulates but overall, it’s in D Minor. With most rock/pop songs and most songs in general, the songs begin with the root chord of the key.
This one does. It starts out as a basic i-IV-V7, 3 chord song. And in D minor, the i chord would be D, the IV chord would be G, and the V7 is A7.
Rock uses a lot I-IV-V7 progressions and a lot of V7 chords because they contain a tritone. In the A7 chord, the tritone is the notes C sharp and G.
The tritone is cool because it splits the octave in half AND it’s the *most* dissonant interval in music.
Dissonant intervals are like verbs ... they demand action and always want to harmonically resolve to something more consonant. In the case of classic I-IV-V7 tunes, the V7 wants MOST to resolve to the I chord.
However, the tritone is so dissonant that it’ll settle for resolving to just about any chord ... even another dominant seventh chord.
That’s why so many dominant sevenths are used in rock, blues, and pop. For example, a common 3-chord blues will be based on the I7-IV7-V7 all the way through. The tritones just keep passing the tension on to the next tritone chord ... and to modulate to another key ... which this song does.
Band - Jefferson Starship
Song - Miracles
Intro: Am (or Am7)
Chorus:
Am G Dm7
If only you believe like I believe, baby, like I believe, we'd get by.
Am G Dm7
If only you believe(d) in miracles, so would I. (2x)
Verse:
Am G Bm7
I might have to move heaven and earth to prove it to you, baby.
Am G Bm7
So we're making love, you feel the power and I feel the power.
Em F
And there's really nothing we can('t) do
(You know we could, you know we could)
Dm G
If we wanted to...
(You know we could, you know we could)
Em F G E7
We could exist on the stars, it was so easy.
(Oh Baby...)
F#m G C A
All we got to do is get a little faith in you.
Am G Bm7
Woh, I've been so many places I've seen some things (yes I have)
I know that love is the answer (yes it is)
Am G
Keeps holding this world together (oh yeah)
Bm7
Ain't nothing better? Ain't nothing better?(Nothing's better!)
Em F
And all the answers to our prayers,
Dm G
Hell: it's the same everywhere. (just the same now)
Em F
Nothing ever breaks up the heart...(love's a game now)
G E7
...only your tears give you away (Ain't it a shame now).
F#m G
When you're right where I found you...(oh baby)
C A
...with my arms around you.
Am G Bm7
oooooooooh ooooooooooh baby, baby.
Am G Bm7
Love is a magic word if you ever......if you ever find inner life
Em F Dm G
But from that very first look in your eyes I see you and I have but one
heart.
Em F
Only our bodies were apart... (it's making me crazy)
G E7
...that was so easy, so easy.
F#m G
I had a taste of the real world... (Just a drop of it)
C A
...when I went down on you, girl, oh.
Chorus:
Am G Dm7
If only you believe like I believe, baby, like I believe, we'd get by.
Am G Dm7
If only you believe(d) in miracles, so would I. (2x)
Am G Bm7
I can hear windmills and rainbows whenever you talkin' to me
(never say never)
Am G Bm7
I feel like swirling and dancing whenever you walk in with me
Em F
You ripple like the river when I touch you (let me touch you)
Dm G
Then I pluck your body like a string (show you what I mean)
Em F G
Then I start dancing inside you (oh baby, a love song)
E7 F#m G C A
Oh baby in a love song, aw baby...(love song..aw baby..love song..aw baby..etc)
Am G
Oh Yeah, Yeah, All right
Bm7
Baby we're sure doin' it tonight
Am G
Every time you come by let me try (come on by)
Bm7
Pretty please, with sugar on it, that's how I like it, ugh.
Em F
I can't even believe it with you
Dm G
It's like having every dream I ever wanted...(dream of a lifetime)
...come true.
Em F
I picked up your vibes, you know... (I'm having a fine time)
G E7
...it opened my mind but I'm still dreaming.
F#m G
When you're right where I found you...(oh baby)
C A
...with my arms around you.
Chorus:
Am G Dm7
If only you believe like I believe, baby, like I believe, we'd get by.
Am G Dm7
If only you believe(d) in miracles, so would I. (2x)
Am G Dm7
If only you believe like I believe, baby, like I believe, we'd get by.
Am G Bm7 (note chord change)
If only you believe(d) in miracles, so would I.
Em F Dm G Em F G E7
So would I.........................So would I...................
Bridge: F#m G C A
Am G Dm7
If only you believe like I believe, baby, like I believe, we'd get by.
Am G Dm7
If only you believe(d) in miracles, so would I.
Am G Dm7
If only you believe like I believe, baby, like I believe, we'd get by.
Am G Dm7 Am
If only you believe(d) in miracles, so would I..........
Intro: cocktail piano w/synths; chords implied F /A Bb /C / / / / / / / / / / / / / / / / F /G /A Bb Gm7 /C / / / / / / / / / / / / / / / /
Verse 1: F Bbm(11)/F* F * kbd: Bb-Db-Eb-F
For a while to love was all we could do
F/A 1: Bb 2: F/C#
We were young and we knew
Dm9 Bb
That our eyes were alive
Ebmaj7 Gm7/C C7
Deep inside we knew our love was true
F Bbm4/F F
For a while we paid no mind to the past
/G /G# F/A 1: Bb 2: F/C#
We knew love would last Dm9 Bb
Every night somethin' right
Gm7/C C7
Would invite us to begin the dance
Pre-chorus:
Bb F/A Dm7
Somethin' happened along the way
Gm7 F C#m7/F#
What used to be happy was sad
Emaj7 D#m7 G#m7
Somethin' happened along the way
C#m7 Bmaj7
And yesterday was all we had
Cm7 Fm7 Bbm7
And oh after the love has gone
Bbm7/Eb Eb7 Abm7
How could you lead me on
Abm7/Db Db7 Gbmaj7
And not let me stay around
Abm7 Bbm7 Cm7 Fm7 Bbm7
Oh oh oh after the love has gone
Bbm7/Eb Eb7 Abm7
What used to be right is wrong
Abm7/Db Db7 Gbmaj7
Can love that's lost be found
1: Gbmaj7 Dbm7/Gb Gm7/C C7/9-
/ / / /
(found)
2: Abm7 Bbm7 Cm7
Oh oh oh to coda
Verse 2:
For a while to love each other was all
We would ever need
Love was strong for so long
Never knew that what was wrong, oh baby
Wasn't right we tried to find what we had
'Til sadness was all We shared (we were scared)
This affair would lead our love in two
Bb F/A Dm7
Somethin' happened along the way
Gm7 F B7/5-
Yesterday was all we had
repeat pre-chorus repeat chorus Coda repeat to fade - (sax solo 3rd time; fade 4th):
Dbm7 Ebm7 Fm7 Bbm7 Ebm7
Oh oh oh after the love has gone
Ebm7/Ab Ab7 Dbm7
What used to be right is wrong
Dbm7/Gb Gb7 Bmaj7
Can love that's lost be found
Volume in drive C is HP
Volume Serial Number is EA1A-C5A7
Directory of C:\Users\c\Pictures\midi
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YOU ARE NOT ALONE
G e
1. Another day has gone, I'm still all alone,
C D
how could this be, you're not here with me.
G e
You never said goodbye, someone tell me why,
C D
did you have to go, and leave my world so cold?
h e a
Everyday I sit and ask myself : How did love slip away ?
C a D
Something whispers in my ear and says that...
G e
You are not alone, for I am here with you.
a D
though you're far away, I am here to stay.
G e
But you are not alone, for I am here with you,
a D
though we're far apart, you're always in my heart,
G - C - D
but you are not alone.
G e
2. Just the other night I thought I heard you cry,
C D
asking me to come, and hold you in my arms.
G e
I can hear your prayers, your burdens I will bear,
C D
but first I need your hand, then forever can begin.
h e a
Everyday I sit and ask myself : How did love slip away ?
C a D
Something whispers in my ear and says that...
+ REFRAIN + REFRAIN .....
(Orig. = Capo 4) (h = Bm) (Michael Jackson)
Scott, what do you think? Is this guitar tab wrong? The song is in Bb and the tab is transposed to A but doesn’t make sense beyond the 1st chord.
orig 4 Tops hit
What I figured out so far:
intro Bb Gm Eb Bb
1 6m 4 1
and points
Bb Gm Gm Cm
d eb f f eb d c c c d eb
the every
Cm Eb F
bb bb c d c bb bb a g a bb c
just
Bb Gm Cm F7 Eb Bb
1 6m 2m V7 4 1
instrumental break
Gm F7 F
g d a bb c bb a bb f a bb c bb a c
I think this "tab" is flat out wrong. If it's in A, wouldn't the next chord be F#m?
tab
RThe chords notated here are often a composite of the keyboard, string, and
vocal harmony lines - for example, most sheet music notates the chord on
'same' as C#m, but the strings are definitely holding a high A - hence I've
notated it as Amaj7/C#.
"Walk Away Renee" 4 tops
(M. Brown - B. Calilli - T. Sansone)
Intro:
D A/C# Bm A
/ / / / / / / / / / / /
Verse 1:
A E/G# Em/G Bm/F#
And when I see the sign that points "One Way"
Fdim A/E
The lot we used to pass by
D/F# /E /D /C# B7
Every day
Chorus 1:
A /E F#m /C#
Just walk away, Renee
D A E
You won't see me follow you back home
A /E F#m /C#
The empty sidewalks on my
D Amaj7/C# [C#-E-G#-A]
Block are not the same
D A/C# Bm A
You're not to blame
Verse 2:
From deep inside the fear that I forced aside
From deep inside the pain that
I chose to hide
Chorus 2:
Just walk away Renee
You won't see me follow you back home
Now as the rain beats down
Upon my weary eyes
For me it cries
Instrumental break:
F#m F+ F#m/E D#m7-5
/ / / / / / / / / / / / / / / /
Ddim A/C# D B7
/ / / / / / / / / / / / / / / /
[repeat chorus 2]
Verse 3:
Your name and mine inside a heart upon a wall
Still find a way to haunt me
Though they're so small
[repeat chorus 1; end cold on A]
-- another ace 60's tab from Andrew Rogers
Since I Don't Have You by The Skyliners C#
http://www.free-press-release.com/news/200901/1231778224.html pentatonic scales
Verse 1:
F#m
Imagine me and you, I do
E
I think about you day and night, it's only right
D
To think about the girl you love and hold her tight
C#
So happy together
Verse 2:
If I should call you up, invest a dime
And you say you belong to me and ease my mind
Imagine how the world could be, so very fine
So happy together
Chorus:
F# C#m F#
I can't see me lovin' nobody but you
A
For all my life
F# C#m F#
When you're with me, baby the skies'll be blue
A
For all my life
Verse 3:
Me and you and you and me
No matter how they toss the dice, it has to be
The only one for me is you, and you for me
So happy together
[repeat chorus]
[repeat verse 3; harmonize on first three lines]
Vocal interlude [note that final chord is different from chorus]:
F# C#m F# A
Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba-ba-ba-ba
F# C#m F# C#m
Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba-ba-ba-ba
[repeat verse 3]
Coda:
F#m C# F#m
So happy together
C# F#m
How is the weather
C# F#m
So happy together
C# F#m [strings enter]
We're happy together
C# F#m
So happy together
C# F#m [horns enter]
Happy together
C# F#m
So happy together
C# F#
So happy together (ba-ba-ba-ba ba-ba-ba-ba)
-- another ace 60's tab from Andrew Rogers
"Sunny"
(Bobby Hebb)
Intro:
(drum roll)
Verse 1 [bass only on first line]:
Em7 G9 Cmaj7 F#m7 B7
Sunny, yesterday my life was filled with rain
Em7 G9 Cmaj7 F#m7 B7
Sunny, you smiled at me and really eased the pain
Em7 G9
Now the dark days are done and the bright days are near
Cmaj7 F9
My sunny one shines so sincere
F#m7 B7
Sunny, one so true
Em Em+5 Em6 Em7 (chord variants implied by vibes)
I love you
Verse 2:
Sunny, thank you for the sunshine bouquet
Sunny, thank you for the love you brought my way
You gave to me your all and all
And now I feel ten feet tall
Sunny, one so true
Em C7
I love you
Verse 3:
Fm Ab7 Dbmaj7 Gm7 C7
Sunny, thank you for the truth you let me see
Fm Ab7 Dbmaj7 Gm7 C7
Sunny, thank you for the facts from A to Z
Fm Ab7
My life was torn like-a windblown sand, then
Dbmaj7 Gb9
A rock was formed when we held hands
Gm7 C7
Sunny, one so true
Fm C#7
I love you
Verse 4:
F#m A7 Dmaj7 G#m7 C#7
Sunny, thank you for that smile upon your face
F#m A7 Dmaj7 G#m7 C#7
Sunny, thank you for that gleam that flows from grace
F#m A7
You're my spark of nature's fire
Dmaj7 G7
You're my sweet complete desire
G#m7 C#7
Sunny, one so true
F#m D7
I love you
[repeat verse 1, in Gm]:
Gm Bb7 Ebmaj7 Am7 D7
Sunny, yesterday all my life was filled with rain
Gm Bb7 Ebmaj7 Am7 D7
Sunny, you smiled at me and really really eased the pain
Gm Bb7
Now the dark days are done and the bright days are near
Ebmaj7 Ab9
My sunny one shines so sincere
Am7 D7
Sunny, one so true
Gm Cm D7
I love you
Coda [repeat to fade]:
Gm Cm D7
I love you
\\ 12:19 p.m.
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Could It Be I'm Falling in Love
The Spinners
hear it | lyrics | buy cd
http://www.youtube.com/watch?v=7DbcOUEgHso
Could It Be I'm Falling In Love lyrics
Since I met you I begun to feel so strange
Every time I speak your name that's funny
You say that you are so helpless too
That you don’t know what to do
Each night I pray there will never come a day
When you up and take your love away
Say you feel the same way too
And I wonder what it is I feel for you
(chorus)
Could it be I’m falling in love [With you baby]
Could it be I’m falling in love [Woo]
Could it be I’m falling in love
With you
With you
With you
With you
I don’t need all those things
that used to bring me joy
You make me such a happy boy
And honey you’ll always be the only for me
Meeting you was my destiny
You can be sure I will never let you down
When you need me I’ll be around
And darling you’ll always be
The only for me
Heaven made you specially
(chorus)
And darling you’ll always be
The only for me
Heaven made you specially
Could it be I’m falling in love [With you baby]
Could it be I’m falling in love [I wanna know now baby]
Could it be I’m falling in love
With you
With you
With you
With you
(sung simultaneously with chorus)
I walk around with my heart in my hands hey
Walk the street as long as I can baby
I used to sing fa fa fa fa
But right now I feel so good I sing la la la la
Once you get me up
Won’t let me down
Just let this feeling carry me on
Skip the beats with my heart girl
http://www.youtube.com/watch?v=7DbcOUEgHso
"Could It Be I'm Falling In Love"
(M. Steals/J. Steals)
Intro [piano/vibes]:
Cmaj7 Em9 Am7 G [2X]
/ / / / / / / /
Cmaj7 Em9 Am7 Am7/D
/ / / / / / / /
G/D Cm G/B Cm7 F7
/ / / / / / / / / / / / / / / /
Verse 1:
Bbmaj7 Ebmaj7 Bbmaj7
Since I met you I've begun to feel so strange
Ebmaj7 Am7
Every time I speak your name (that's funny)
Em9 Bm7
You say that you are so helpless too
Am7 G C Cm7 [Cm7/F during instrumental]
That you don't know what to do
Each night I pray there will never come a day
When you up and take your love away
Say you feel the same way too and I wonder what
It is I feel for you
Chorus:
C Em9 Am7 G/B
Could it be I'm falling in love (witcha baby)
C Em9 Am7 G/B
Could it be I'm falling in love (ooh)
C Em9 Am7 Am7/D
Could it be I'm falling in love
G/D Cm G/B Cm7 [1, 2: F7 3: G, to coda]
With you, with you with you, with you
Verse 2:
I don't need all those things that used to bring me joy
You made me such a happy boy
And honey you'll always be the only one for me
Meeting you was my destiny
You can be sure I will never let you down
When you need me I will be around
And darling you'll always be the only one for me
Heaven made you specially
[repeat chorus]
[repeat verse 2, instrumental through lines 1-6]
[repeat chorus]
Coda [repeat to fade]:
Cmaj7 Em9 Am7 G/B
Could it be I'm falling in love
-- another ace 70's tab from Andrew Rogers
Dear Heart:Andy Williams
#24 in '64.
#1.
D D7 G
Dear heart, wish you were here,
D Bm7 Em7 A7
to warm this night.
A7 D D7 G
My dear heart, seems like a year,
D A G Gm D
since you've been out of my sight.
CHORUS:
G Gm D Bm
A single room, a table for one,
G Ddim. Em7 A7
It's a lonesome town all right.
#2.
A7 D D7 G
But soon, I'll kiss you hello,
D Bm7 Em7 A7
at our front door.
A7 D D7 G
And dear heart, I want you to know,
D Bm7 Em7 A7 G Em7-5 D
I'll leave your arms never more.
CHORUS:
REPEAT#2.
A sixties smash from Kraziekhat.
Ya, here is: G is 1 and Em is 6. The C ->Cm was what I heard in the refrain.
Tabbed by TWAZNBMX
Title:Sukiyaki
Artist: 4PM
Album: Now’s the Time
Note: original done by Japanese artist Kyu Sakamoto in Japanese!, this is just a cover
Sukiyaki - 4PM
Verse 1
G Em
It’s all because of you,
G Em
I’m feeling sad and blue
G Bm
You went away,
Em D
Now my life is just a rainy day
G Am7
and I love you so,
C B7
How much you’ll never know
Em C Bm Am7 G C
You’ve gone away and left me lonely.
Verse 2
G Em
Untouchable memories
G Em
Seem to keep haunting me
G Bm
Another love so true,
Em D7
That once turned all my gray skies blue
G Am7
But you disappeared,
C B7
Now my eyes are filled with tears
Em C Bm Am7 G G7
And I’m wishing you were here
Bridge
C G G7
With me soaked with love all my thoughts of you
Cm G A
Now that you’re gone I just don’t know what to do
Verse 3 (repeat of above chords)
If only you were here,
You’d wash away my tears
The sun would shine,
Once again you’ll be mine all mine
But in reality, you and I will never be cos
You took your love away from me.
Chorus
Girl, I don’t know what I did to make you leave me
But what I do know is
That since you’ve been gone there’s such an emptiness inside,
I’m wishing you to come back to me.
If only you were here,
You’d wash away my tears
The sun would shine,
Once again you’ll be mine all mine
But in reality,
You and I will never be cos
You took your love away from me.
Oh -- Baby you took your love away from me.
http://www.vh1.com/artists/az/4_p_m_for_positive_music_1/artist.jhtml
"Hello It's Me"
(Todd Rundgren)
Hello it’s me" http://www.youtube.com/watch?v=jsezr0qiFIc
Intro (after two false starts):
Gm7 Fmaj7 (2x)
Verse 1:
Gm7 Fmaj7
Hello, it's me
Gm7 Fmaj7
I've thought about us for ...
Ebmaj7 Dm7
Maybe I think too ...
Cm7 Bbmaj7
There's something here that ...
Abmaj7/Bb Bbmaj7
Maybe I shouldn't ...
Abmaj7/Bb Bbmaj7 [2X]
Verse 2:
Bbmaj7 Am7
Seeing you
Bbmaj7 Am7
Or seeing anything as ...
Gm7 Fmaj7
I take for granted that ...
Ebmaj7 Dm7
I take for granted that ...
Cm7 Bbmaj7
Sometimes I can't help seeing ...
Abmaj7/Bb Bbmaj7 [2X]
Chorus:
Gm7 Fmaj7
Gm7 Fmaj7 Cm7 Bbmaj7
It's ...
Cm7 Bbmaj7 Dm7 Cmaj7
That you know ...
Dm7 Cmaj7 Gm7 Fmaj7 Cm7 Bbmaj7 Cm7 C7 [2: C#7]
'Cause I never want to ...
Verse 3:
Gm9 Fmaj9
Think of...
Gm9 Fmaj9 [continue as per verse 1]
You know that I'd be with you ...
[repeat chorus; modulate to F#]
Verse 4 [verse 3 in F#]:
G#m9 F#maj9
Think ...
G#m9 F#maj9
You know that I'd ...
Emaj7 D#m7
I'll come around to see ...
C#m7 Bmaj7
Or if I ever need ...
Amaj7/B Bmaj7
And spend the night ...
Amaj7/B B [2X]
Coda:
A/B B
Think ...[repeat to end]
-- another ace 70's tab from Andrew Rogers
Song Sung Blue by Neil Diamond (copyright 1972, 1974 by Prophet Music, Inc.)
[C] [G]
Song sung blue, everybody knows one.
[G7] [C]
Song sung blue, every garden grows one.
[C7] [F]
Me and you are subject to, the blues now and then,
[G]
But when you take the blues and make a song,
[C] [Dm] [G7]
You sing them out again, sing them out again,
[C] [G]
Song sung blue, weepin' like a willow,
[C]
Song sung blue, sleepin' on my pillow.
[C7] [F]
Funny thing, but you can sing it with a cry in your voice,
[G] [C] [G7]
And before you know it start to feelin' good, You simply got no choice.
**** 8 Bar Instrumental (With 2 bars of [C], 4 bars of [G], 2 bars of [C]***
[C7] [F]
Funny thing, but you can sing it with a cry in your voice,
[G] [C] [G7]
And before you know it start to feelin' good, you simply got no choice.
[C] [G]
Song sung blue, weepin' like a willow,
[C]
Song sung blue, sleepin' on my pillow.
[C7] [F]
Funny thing, but you can sing it with a cry in your voice,
[G] [C]
And before you know it start to feelin' good, you simply got no choice....
Guitar Chords " Alone Again Naturally " by Osullivan Gilbert
Guitar Tabs > O > Osullivan Gilbert chords & tabs > Alone Again Naturally Chords
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Guitar Chords by: Osullivan Gilbert
Chords for song: Alone Again Naturally
# This file is the author's own work and represents their interpretation of the #
# song. You may only use this file for private study, scholarship, or research. #
Download RingtoneSend “Alone Again Naturally” to Cell PhoneDownload Ringtone
"Alone Again (Naturally)"
(O'Sullivan)
intro: Gbmaj7 Gb6 Bbm7 Eb7 Abm7 Db7-9 Gbmaj7 Gb6
v. 1: Gbmaj7 Gb6
In a little while from now
Bbm7
If I'm not feeling any less sour
Dbm
I promise myself to treat myself
Bbm7-5 Eb7
And visit a nearby tower
Abm7
And climbing to the top
Abm7-5
To throw myself off
Gb Gb+
In an effort to make it clear to who-
Gb6 F7
ever what it's like when you're shattered
Bbm7
Left standing in the lurch
Dbm Eb7
At a church with people saying
Abm7
"My God, that's tough, she stood him up
Abm7-5
No point in us remaining
Gbmaj7 Gb6
We may as well go home"
Bbm7 Eb7
As I did on my own
Abm7 Db7-9 Gbmaj7 Gb6
Alone again, naturally
v. 2: To think that only yesterday
I was cheerful bright and gay
Looking forward - who wouldn't do?
The role I was about to play
And as if to knock me down
Reality came around
And without so much as a mere touch
Threw me into little pieces
Leaving me to doubt
Talk about God in his mercy
Who if He really does exist
Why did He desert me
In my hour of need
I truly am indeed
Abm7 Db7-9 Gb
Alone again, naturally
bridge: A E7
It seems to me that there are more hearts broken in the world
G#m7-5 C#7-9
Than can be mended
A D#m7-5
Left unattended
C#maj7
What do we do?
G#m7 C#7-9
What do we do?
(nylon-string guitar solo, verse chords)
v. 3: Looking back over the years
And whatever else appears
I remember I cried when my father died
Never wishing to hide my tears
And at sixty-five years old
My mother, God rest her soul
Couldn't understand why the only man
She had ever loved had been taken
Leaving her to start
With a heart so badly broken
Despite encouragement from me
No words were ever spoken
When she passed away
I cried and cried all day
tag: Abm7 Db7-9 Bbm7 Eb7
Alone again naturally
Abm7 Db7-9 Db7 Gb
Alone again... naturally
-- another ace 70's tab from Andrew Rogers
E -> Eb bad tab
E Bm A
Where is the love? (where is the love?)
D7/9
Where is the love? (where is the love?)- BIS
E Bm
Where is the love?
E7 A
You said you'd give to me
D7/9
Soon as you were free
G C F#m A/B
Will it ever be, where is the love?
E7+ G
You told me that you didn't love him,
C7+ F#m A/B
And you were gonna say goodbye
E7+ G C7+
But if you really didn't mean it,
F#m A/B
Why did you have to lie?
E Bm
Where is the love?
E7 A
You said was mine all mine,
D7/9
Till the end of time
G C7+ F#m A/B
Was it just a lie? Where is the love?
E7+ G
If you had had a sudden change of heart
C7+ F#m A/B
I wish that you would tell me so
E7+ G C7+
Don't leave me hangin on the promises
F#m A/B
You've got to let me know
solo: E Bm E7 A D7/9 G C7+ F#m A/B
E7+ G
Oh how I wish I'd never met you
C7+ F#m A/B
I guess it must have been my fa........te
E7+ G C7+
To fall in love with someone else's love
F#m A/B
All I can do is wait (that's all I can do)
yeah yeah yeah
E Bm A D7/9
Where is the love?...
Now, an easier way to remember "modes" (named after Greek City/States). All you have to do is start a scale in a different place than the root of the key and you have a mode.
For example, in the key of C, if you play the notes of the scale starting from different places, you have:
C -> C = Ionian mode
D -> D = Dorian mode
E -> E = Phrygian mode
F -> F = Lydian mode
G -> G = Mixolydian mode
A -> A = Aeolian mode
B -> B = Locrian mode
So, when you learn one major scale, you’ve actually learned seven modes!!!!
Let’s put it together ... let’s suppose you compose a song in the key of C, using triads ...
If you’re improvising or want to construct a melody line over one of the 7 triads in C, use the corresponding mode, emphasizing the triad notes. For example, if you’re playing C Major triad, use the Ionian mode ... if you’re playing B diminished, use the Locrian mode, and so on.
Learn to play "More Than A Woman" with online video lessons
http://www.youtube.com/watch?v=2ZCtgFmQvjQ
Dbmaj7
Bb/C Fmaj7
Oh, girl, I've known you very well.
I've seen you growing everyday.
Bb/C
I nev er really looked before
but now you take my breath away.
Fmaj7
Suddenly you're in my life,
part of everything I do.
Bb/C
You got me working day and night
just trying to keep a hold on you.
Ab Bb Ebmaj7 Cm
Here in your arms I found my par adise,
Ab Bb Gm
my only chance for happiness.
Ab Bb Ebmaj7 Cm
And if I lose you now I think I would die.
Dbmaj7
Oh, say you'll always be my baby,
we can make it shine,
we can take forever,
Bb/C
just a minute at a time.
Dbmaj7
More than a woman,
Ab Bbm
more than a woman to me.
Dbmaj7
More than a woman,
Ab Bbm Dbmaj7 Bb/C
more than a woman to me.
Oooh
Fmaj7
There are stories old and true
of people so in love like you and me.
Bb/C
And I can see myself,
let history repeat itself.
Fmaj7
Reflecting how I feel for you,
thinking about those people ,
Bb/C
then I know that in a thousand years
I'd fall in love with you again.
Ab Bb Ebmaj7 Cm
This is the on ly way that we should fly,
Ab Bb Gm
this is the on ly way to go,
Ab Bb Ebmaj7 Cm
and if I lose your love I know I would die.
Dbmaj7
Oh, say you'll always be my baby,
we can make it shine,
we can take forever,
Bb/C
just a minute at a time.
Dbmaj7
More than a woman,
Ab Bbm
more than a woman to me.
Dbmaj7
More than a woman,
Ab Bbm Dbmaj7 Bb/C
more than a woman to me.
Ooooh
Dbmaj7
More than a woman,
Ab Bbm
more than a woman to me.
Dbmaj7
More than a woman, ...
bee gees hits
Disc: 1 Amazon Music Sampler
1. New York Mining Disaster Listen
2. To Love Somebody Listen
3. Holiday Listen
4. Massachusetts Listen
5. World Listen
6. Words Listen
7. I've Gotta Get A Message To You Listen
8. I Started A Joke Listen
9. First of May Listen
10. Saved By The Bell Listen
11. Don't Forget To Remember Listen
12. Lonely Days Listen
13. How Can You Mend A Broken Heart Listen
14. Run To Me Listen
15. Jive Talkin' Listen
16. Nights On Broadway Listen
17. Fanny Be Tender Listen
18. Love So Right Listen
19. If I Can't Have You Listen
20. Love Me Listen
21. You Should Be Dancing Listen
Disc: 2 Amazon Music Sampler
1. Stayin' Alive Listen
2. How Deep Is Your Love Listen
3. Night Fever Listen
4. More Than A Woman Listen
5. Emotion Listen
6. Too Much Heaven Listen
7. Tragedy Listen
8. Love You Inside Out Listen
9. Guilty Listen
10. Heartbreaker Listen
11. Islands In The Stream Listen
12. You Win Again Listen
13. One Listen
14. Secret Love Listen
15. For Whom The Bell Tolls Listen
16. Alone Listen
17. Immortality Listen
18. This Is Where I Came In Listen
19. Spicks and Specks Listen
Eric Carmen - Never gonna fall in love again Lyrics
Album: Eric Carmen
Download RingtoneSend “Never gonna fall in love again” Ringtone to Your CellDownload Ringtone
No use pretending things can still be right
There's really nothing more to say
I'll get along without your kiss tonight
Just close the door and walk away
Never gonna fall in love again
I don't wanna start with someone new
‘Cause I couldn't bear to see it end
Just like me and you
No, I never wanna feel the pain
Of remembering how it used to be
Never gonna fall in love again
Just like you and me
At first we thought that love was here to stay
The summer made it seem so right
But like the sun we watched it fade away
From morning into lonely night
Never gonna fall in love again
I don't wanna start with someone new
‘Cause I couldn't bear to see it end
Just like me and you
No, I never wanna feel the pain
Of remembering how it used to be
Never gonna fall in love again
Just like you and me
Never gonna fall in love again
I don't wanna start with someone new
‘Cause I couldn't bear to see it end
Just like me and you
No, I never wanna feel the pain
Of remembering how it used to be
Never gonna fall in love again
Just like you and me
Never gonna fall in love again
I don't wanna start with someone new
‘Cause I couldn't bear to see it end
Just like me and you
No, I never wanna feel the pain
Of remembering how it used to be
http://www.youtube.com/watch?v=34rlNS2XyaU
Castles in the air
by Don McLean
E Emaj7
And if she asks you why
A E F#m7
you can tell her that I told you that I'm tired
B7 E F#m7
of castles in the air, I've got a dream
B7 E F#m7
I want the world to share and castle walls
B7 E Emaj7 E6 E
just lead me to despair.
E Emaj7
Hills of forest green
A E F#m7
where the mountains touch the sky a dream come true
B7 E F#m7
I'll live there till I die, I'm asking you
B7 E F#m7
to say my last goodbye ,the love we knew
B7 E Emaj7 E6 E
ain't worth another try.
F#m7 B7 E
Save me from all the trouble and the pain
A A(G#bass) F#m7 F#7 B7 F#m7 B7 F#m7 B7
I know I'm weak but I can't face that girl again
F#m7 b7 E
Tell her the reasons why I can't remain
A E F#m7 F#7 B7 F#m7 B7 F#m7 B7
Perhaps she'll understand, if you tell it to her plain
E Emaj7
But how can words express
A E F#m7
the feel of sunlight in the morning in the hills,
B7 E F#m7
away from city strife, I need a
B7 E F#m7
country woman for my wife, I'm city born,
B7 E Emaj7 E6 E
but I love the country life.
E Emaj7
For I can not be part
A E F#m7
of her cocktail generation, partners waltz
B7 E F#m7
Devoid of all romance the music playes
B7 E F#m7
and everyone must dance I'm bowling out
B7 E Emaj7 E6 E
I need a second chance.
F#m7 B7 E
Save me from all the trouble and the pain
A A(G#bass) F#m7 F#7 B7 F#m7 B7 F#m7 B7
I know I'm weak but I can't face that girl again
F#m7 b7 E
Tell her the reasons why I can't remain
A E F#m7 F#7 B7 F#m7 B7 F#m7 B7
Perhaps she'll understand, if you tell it to her plain
E Emaj7
And if she asks you why
A E F#m7
you can tell her that I told you that I'm tired
B7 E F#m7
of castles in the air, I've got a dream
B7 E F#m7
I want the world to share and castle walls
B7 E Emaj7 E6 E
just lead me to despair.
-------
Lyrics by Luiz Otavio Lopes Antunes and
Ronald Staats
Chords by Ronald Staats
-------
___ Blue Wave/QWK v2.12
This is in regards to the request by Cliff Gholson for the song that is in
the movie "The Alamo". I think this is what he wants.
The Green Leaves of Summer (unknown author, I never found out)
A (Em) time to be (B7) reaping, a (Em) time to be (D7) sowing,
the (G) green leaves of (Am) summer are (F#7) calling me (B7) home.
It was (E7) good to be (Am) young then, in the (D7) season of (G) plenty,
When the (Em) catfish were (Am) jumping as (C7) high as the (B7) sky.
A (Em) time just for (B7) planting, a (Em) time just for (D7) ploughing,
a (Em) time to be (Am) courting a (F#7) girl that you (B7) love.
'Twas so (E7) good to be (Am) young then, to be (D7) close to the (G) earth,
to be (Em) there at her (Am) side at the (Em) mo-(Am)-ment (B7) of (Em) birth.
There might be more verses, these are the two that I have. Haunting melody...
"Be My Baby"
(Jeff Barry - Ellie Greenwich - Phil Spector)
The Ronettes
1963
http://www.youtube.com/watch?v=8-0upHlWfQ4
Intro:
[2 bar drum beat]
E
/ / / / / / / /
Verse 1:
E F#m7 B7
The night... needed you so
E F#m7 B7
And if I... never let you go
G#7
So won't you...
C#7
I'll make you...
F#7 B7
We'll make them... every place we go
Chorus:
E
So [1,2: won't you] please
[3: come on and]
(be my... baby)
C#m
Be my... baby
(my one... baby)
A
Save me... darling
(be my... baby)
B7
Be my... now wo-wo-wo-wo
(my one... baby)
Verse 2:
I'll make you happy...
For every kiss you...
Oh, since the day...
I have been waiting...
You know I will wait...
[Repeat chorus]
[Instrumental over first two lines of verse]
[Repeat chorus]
Link:
[2 bar drum beat, as per intro]
[Repeat chorus ad lib to fade]
http://www.youtube.com/watch?v=8-0upHlWfQ4
"Be My Baby"
(Jeff Barry - Ellie Greenwich - Phil Spector)
The Ronettes
1963
Intro:
[2 bar drum beat]
E
/ / / / / / / /
Verse 1:
E F#m7 B7
The night... needed you so
E F#m7 B7
And if I... never let you go
G#7
So won't you...
C#7
I'll make you...
F#7 B7
We'll make them... every place we go
Chorus:
E
So [1,2: won't you] please
[3: come on and]
(be my... baby)
C#m
Be my... baby
(my one... baby)
A
Save me... darling
(be my... baby)
B7
Be my... now wo-wo-wo-wo
(my one... baby)
Verse 2:
I'll make you happy...
For every kiss you...
Oh, since the day...
I have been waiting...
You know I will wait...
[Repeat chorus]
[Instrumental over first two lines of verse]
[Repeat chorus]
Link:
[2 bar drum beat, as per intro]
[Repeat chorus ad lib to fade]
Carpenters - Jambalaya (On The Bayou) (Lyrics)
C G
Good-bye, Joe, me gotta go, me oh my oh
G7 C
Me gotta go pole the pirogue down the bayou.
C G
My Yvonne, the sweetest one, me oh my oh
G7 C
Son of a gun, we'll have big fun on the bayou.
(Chorus)
Jambalaya and a crawfish pie and fillet gumbo
'Cause tonight I'm gonna see my ma cher amio
Pick guitar, fill fruit jar and be gay-o
Son of a gun, we'll have big fun on the bayou.
Thibodaux, Fontaineaux, the place is buzzin'
Kinfolk come to see Yvonne by the dozen
Dress in style and go hog wild, me oh my oh
Son of a gun, we'll have big fun on the bayou.
(Chorus)
Jambalaya and a crawfish pie and fillet gumbo
'Cause tonight I'm gonna see my ma cher amio
Pick guitar, fill fruit jar and be gay-o
Son of a gun, we'll have big fun on the bayou.
Settle down far from town, get me a pirogue
And I'll catch all the fish in the bayou
Swap my mon to buy Yvonne what she need-o
Son of a gun, we'll have big fun on the bayou.
(Chorus)Jambalaya and a crawfish pie and fillet gumbo
'Cause tonight I'm gonna see my ma cher amio
Pick guitar, fill fruit jar and be gay-o
Son of a gun, we'll have big fun on the bayou.
-----
A E
Good-bye, Joe, me gotta go, me-oh my-oh,
E7 A
Me gotta go pole the pirogue down the bayou.
E
My Yvonne, the sweetest one, me-oh my-oh,
E7 A
Son of a gun, we'll have big fun on the bayou.
(Chorus:)
A E
Jambalaya and a crawfish pie and fillet gumbo,
E7 A
'Cause tonight I'm gonna see my ma cher a mi-o;
E
Pick guitar, fill fruit jar and be gay-oh,
E7 A
Son of a gun, we'll have big fun on the bayou.
Thibodaux, Fontaineaux, the place is buzzin';
Kinfolk come to see Yvonne by the dozen.
Dress in style, go hog wild, me-oh my-oh,
Son of a guin, we'll have big fun on the bayou.
(Chorus)
Settle down far from town, bet me a pirogue,
And I'll catch all the fish in the bayou;
Trade my mon to buy Yvonne what she need-oh,
Son of a gun, we'll have big fun on the bayou.
(Chorus)
http://www.youtube.com/watch?v=KP3aXv_RioE
...MY CHERIE AMOUR... by Stevie Wonder
---------------------.................
*from 'My Cherie Amour ' (1969)*
Intro:
D7 Cmaj7 C6 C F
La la la, la la la,
F6/C Fmaj7 F7b5 F7 Gmaj7 D7
La la la la, la la.
Verse 1:
Gmaj7 C11 Fmaj7 C/D
My che-rie amour; lovely as a summer day.
Gmaj7 C11 Fmaj7 C/D
My che-rie amour; distant as the Milky Way.
Chorus 1:
Cmaj7 C/D F9
My che-rie amour; pretty little one that I adore,
E7 Bm7 E7 A7
You're the only girl my heart beats for;
D7 G6 C/D D7
How I wish that you were mine.
Verse 2:
Gmaj7 C11 Fmaj7 C/D
In a cafe, or sometimes on a crowded street,
Gmaj7 C11 Fmaj7 C/D
I've been near you, but you never noticed me.
Chorus 2:
Cmaj7 C/D F9
My che-rie amour; won't you tell me, how could you ignore,
E7 Bm7 E7 A7
That, behind that little smile I wore?
D7 G6 C/D
How I wish that you were mine.
Interlude:
D7 Cmaj7 C6 C F
La la la, la la la,
F6/C Fmaj7 F7b5 F7 Gmaj7 D7
La la la la, la la.
Verse 3:
Gmaj7 C11 Fmaj7 C/D
Maybe someday, you'll see my face among the crowd?
Gmaj7 C11 Fmaj7 C/D
Maybe someday, I'll share your, little distant cloud?
Chorus 3:
Cmaj7 C/D F9
My che-rie amour; pretty little one that I adore,
E7 Bm7 E7 A7
You're the only girl my heart beats for;
D7 G6 C/D D7
How I wish that you were mine.
Coda:
D7 Cmaj7 C6 C F
La la la, la la la,
F6/C Fmaj7 F7b5 F7 Gmaj7 D7
La la la la, la la.
(Repeat to Fade)
Date: Thu, 14 Nov 1996 14:50:50 -0500
From: Andrew Rogers
Subject: ./w/wonder_stevie/my_cherie_amour.crd
"My Cherie Amour"
(H. Cosby - S. Moy - S. Wonder)
Intro (2x; vocals enter 2nd time:)
Gbmaj7 Cbmaj7
La la la la la la
Dbmaj7
La la la la la la
Verse 1:
Ab7+5 Dbmaj7 Gb7sus Gb7 Cbmaj7 Ab7sus4 Ab7
My Cherie Amour, ....
Dbmaj7 Gb7sus Gb7 Cbmaj7 Ab7sus4 Ab7
My Cherie Amour, distant ...
Gbmaj7 Ab13 Fm7-5/Cb
My Cherie Amour, ...
Bb9 Eb9
You're the only girl my ...
Ab13 Dbmaj7
How I wish that ...
Verse 2:
Ab13-9 Dbmaj7... [Ab13-9: 4x4564]
In a cafe or sometimes ....
[repeat intro - with vocals both times]
[key change to D]
Verse 3:
A7 Dmaj7 G7sus4 G7 Cmaj7 A7sus4 A7
Maybe someday you'll ...
Dmaj7 G7sus4 G7 Cmaj7 A7sus4 A7
Maybe someday I'll share your ...
Gmaj7 A13 F#m7-5/C
Oh, Cherie Amour, ...
B9 E9
You're the only girl ...
A13 Dmaj7
How I wish that you ...
[repeat intro (in D) to fade:]
Gmaj7 Cmaj7
La la la la la la
Dmaj7
La la la la la la
-- another ace 60's tab from Andrew Rogers
"Laughter in the Rain" Neil Sedaka
http://www.youtube.com/watch?v=Uec35ppYLIc
http://www.superseventies.com/sw_laughterintherain.html
last night i didnt get to sleep - 5th dimension
http://www.youtube.com/v/yAST_HH_BoQ&hl=en&fs=1&
Last Night I Didn't Get To Sleep At All Ab
Last night I didn't get to sleep at all, no, no
I lay awake and watched until the mornin' light
Washed away the darkness of the lonely night (lonely night)
Oh, and last night I got to thinkin' maybe I, I, I
Should call you up and just forget my foolish pride
I heard your number ringin', I went cold inside
And last night I didn't get to sleep at all
I know it's not my fault, I did my best
God knows this heart of mine could use a rest
But more and more I find the dreams I left behind
Are somehow too real to replace (to replace)
Oh, last night I didn't get to sleep at all, no, no
The sleepin' pill I took was just a waste of time
I couldn't close my eyes 'cause you were on my mind
And last night I didn't get to sleep, didn't get to sleep
No, I didn't get to sleep at all at all
[Instrumental Interlude]
But more and more I find the dreams I left behind
Are somehow too real to replace (to replace)
Oh-uh-oh last night I didn't get to sleep at all no, no
The sleepin' pill I took was just a waste of time
I couldn't close my eyes 'cause you were on my mind
And last night I didn't get to sleep, didn't get to sleep
No, I didn't get to sleep at all at all
No, no, no
No, no, no
Last night I didn't get to sleep at all, no, no
Last night I didn't get to sleep at all
(oh, oh)
How Long – Ace
http://www.youtube.com/watch?v=qF3yNWvVwxg Ab Bb
http://listen.elyrics.net/listen.php
http://www.youtube.com/watch?v=FIK5F4zRN0Y
http://www.youtube.com/watch?v=qF3yNWvVwxg
Intro: G / A x 3 G / A Bbm Bm7 F#m7 Em7
How long has this been going on x 2
V1 G A
Well your friends with their fancy persuasion
Don’t admit that its part of a scheme
But I can’t help but have my suspicion
Cos I ain’t quite as dumb as I seem
V2 G A
Well you said you were never intending
To break up our scene in this way
But there ain’t any use in pretending
G A Bbm
It could happen to us any day
Ch Bm7 F#m7 Em7
How long has this been going on x 2
Fill : Em x 8 changing to G / A x4
Repeat V1 & V2
Ch Bm7 F#m7 Em7
How Long Has This Been Going On
Ace
Cm Bb Bm
4x's then on the 4th bt of the 4th Bb
Cm Bb Ab Bb
How long has this been goin' on
Cm Bb Ab Bb
How long has this been goin' on
Cm Bb
friends with their fancy per suasion Don't a
Cm Bb
dmit that it's part of a scheme But I
Cm Bb
can't help but have my sus picions 'Cause I
Cm Bb
ain't quite as dumb as I seem And you
Cm Bb
said you was never in tendin'To
Cm Bb
break up our singing this way But there
Cm Bb
ain't any use in pre tendin' It could
Cm Bb Bm
happen to us any day
Cm Bb Ab Bb
How long has this been goin' on
Cm Bb Ab Bb
How long has this been goin' on
Musical Interlude: 16 meas of Cm to Bb
Ambrosia - How Long Has This Been Going On
http://www.ambrosiaweb.com/
This is in the right key and a bit more accurate than the existing tab.
J Robson J@PeaceLoveandGuitars.com
[Cm][Bb] 4x's then on the 4th bt of the 4th Bb [Bm]
[Cm]How long [Bb]has this been [Ab]goin' on[Bb]
[Cm]How long [Bb]has this been [Ab]goin' on[Bb]
[Cm]friends with their fancy per[Bb]suasion Don't a
[Cm]dmit that it's part of a [Bb]scheme But I
[Cm]can't help but have my sus[Bb]picions 'Cause I
[Cm]ain't quite as dumb as I [Bb]seem And you
[Cm]said you was never in[Bb]tendin'To
[Cm]break up our singing this [Bb]way But there
[Cm]ain't any use in pre[Bb]tendin' It could
[Cm]happen to us any [Bb]day[Bm]
[Cm]How long [Bb]has this been [Ab]goin' on[Bb]
[Cm]How long [Bb]has this been [Ab]goin' on[Bb]
[Musical Interlude: 16 meas of Cm to Bb]
Oh, your friends with their fancy persuasion
Don't admit that it's part of a scheme
But I can't help but have my suspicion
'Cause I ain't quite as dumb as I seem
Oh, you said you was never intending
To break up our singing this way
But there ain't any use in pretendin'
It could happen to us any day
And how long has this been going on
How long has this been going on
How long
How long has this been going on
How long has this been going on
How long has this been going on
How long
How long has this been going on
been going on
How
long has this been going on
http://www.youtube.com/watch?v=xwOirZ-rg6Q&NR=1
STARBUCK Moonlight Feels Right
How long has this been going on x 4 (ad-lib to fade)
#----------------------------------PLEASE NOTE--------------------------------#
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#
"You Showed Me"
(Jim McGuinn - Gene Clark)
Intro (organ):
Cm F [4X; bass and guitar enter on 3rd repeat]
/ / / /
Verse 1:
Cm F Cm
You showed me how to do
F Cm
Exactly what you do
Ab Bb Cm
How I fell in love with you
Ab Bb Cm
Oh, oh, oh, it's true
Ab Bb Ab Abmaj7 Ab6 Ab5
v v v v v v v v v v v v
-----------------|-----3-----1-----|-----------------|
-----------------|-----1-----1---4-|-------3---4-3-4-|
-----------------|-----1-----1---1-|-----------------|
-----------------|-----------------|-----------------|
-------6-5---3---|-----------------|-----------------|
-4---------------|-4---------------|-----------------|
Oh, oh, I love you
Verse 2:
You showed me how to say
Exactly what you say
In that very special way
Oh, oh, oh, it's true
You fell for me too
Bridge:
Ab Eb Fm Eb
And when I tried it
Ab Eb Fm Eb
I could see you fall
Ab Eb Fm
And I decided
F G
It's not a trip at all
Verse 3:
You taught it to me too
Exactly what you do
And now you love me too
Oh, oh, oh, it's true
We're in love we too
Verse 4 (wordless):
Na na na na na na
Na na na na na
Na na na na na
Oh oh oh oh oh
We're in love we two
Ab Abmaj7 Ab6 Ab5
v v v v v v v v
-----3-----1-----|-----------------|
-----1-----1---4-|-------3---4-3-4-|
-----1-----1---1-|-----------------|
-----1-----1---1-|-----------------|
-----------------|-----------------|
-4---------------|-----------------|
We two
Coda (first three lines of each verse):
Cm F Cm
You showed me how to do
F Cm
Exactly what you do
Ab Bb Cm
How I fell in love with you
(You...)
Showed me how to say
Exactly what you say
In that very special way
(You...)
Taught it to me too
Exactly what you do
Ab Bb Cm F
And now you love me too
Cm F Cm F
Now you love me too [repeat to fade]
Pentatonic scales
The Basics:
Pentatonic scales are the staple of rock guitar. They are also widely used in jazz, blues, country and bluegrass music. This fact makes pentatonic scales a very important part of learning to play.
So, what are pentatonic scales?
Technically speaking, any scale composed of five notes can be called a pentatonic scale (penta = five and tonic = notes). In the real world, however, learning only two different pentatonic scales will cover 99.9% of the playing situations that you will encounter. These two scales are referred to as the MAJOR PENTATONIC and the MINOR PENTATONIC.
The major pentatonic is built from these intervals:
In the key of C, that would be:
C - D - E - G - A
This scale works very well over chord progressions that are based primarily on major chords. Try it over I-IV-V-I, V-IV-I-V or I-iv-IV-V-I. (Check out the Chord Scale lesson if you have no idea what those Roman numerals mean.)
The minor pentatonic is built from these intervals:
R - b3 - 4 - 5 - b7
In the key of C, that would give us:
C - Eb - F - G - Bb
This scale works well for chord progressions based on minor chords. Try it over iv-ii-iii-iv or ii-iii-IV-ii.
You can also use minor pentatonic over certain major chord progressions if you want a "bluesy" sound. Try it over I-IV-V-I or V-IV-I-V. Be careful with the b3 when you try it this way. The b3 can sound horribly out of place over a major chord. One way to avoid this is to play the b3, bend, slide or hammer into the 3 and then land on the root. That is a classic blues lick. (Check out the Intervals lesson if you are unclear on intervals.)
The Practice:
Learn the major and minor pentatonic in every key over the entire fingerboard. Pay particular attention to the difference in sound between the two scales. The major pentatonic has a sweet, almost country flavor to it. The minor pentatonic has a darker, more blues sound to it. Knowing this difference in sound will help you to match your playing to the flavor of the chord progression.
Also, if you already know the major and minor scale well, you can learn to see the pentatonic scales by leaving out the appropriate intervals (4 and 7 for major, 2 and b6 for minor).
Once you know the scales pretty well, turn on the radio and try improvising lead lines along with whatever tune is playing. You can do this with any CD you own as well. The trick is to try and home in on the key of the song. once you determine the key, try either major or minor pentatonic in that key. Remember, if one doesn't work, the other one probably will. It doesn't get much easier folks.
Now, impress your friends and neighbors by playing some blues licks in A.
The Pentatonic Scale is a scale consisting of 5 notes (Penta =5, tonic = tones). There is a Minor Pentatonic Scale (which I'll show you first), and there is a Major Pentatonic Scale. You may ask why you should use a scale with such a small amount of notes. The reason is that Pentatonic Scales provide a small margin for error when you are playing over a chord progression of the chords that go with the scale (the chords are shown in the chart below). Another reason to use the scale is if you are looking to find that rock sound. Jimi Hendrix used this scale more than any other. Now, it is hard to find a rock song without pentatonics in it. B.B. King also uses the Pentatonic Scale. He uses the Minor Pentatonic scale for its bluesy quality. Enough chit-chat, let's get to the info.
You should learn the patterns below all the way up the neck so you can use this scale at any time when you are playing. I'll go into more detailed uses of the Pentatonic Scales in later lessons, but for now just learn the scales.
Minor Pentatonic Scale
Description: A Bluesy sounding scale
Quality: Bluesy
Musical Styles: Blues, Rock, Heavy Metal, Jazz, Fusion
Chords: Minor, Minor Sevenths, Dominant Sevenths
Intervals: (W - Whole Step, H - Half Step)
Root -b3-4-5-b7-Octave
W+H-W-W-W+H-W
Full Pattern: D# Minor Pentatonic Scale
Full Pattern: D# Minor Pentatonic Scale
Major Pentatonic Scale
Description: Country Flavored Scale
Quality: Bright Sounding
Musical Styles: Country, Blues, Rock, Jazz, Fusion
Chords: Major, Major Sevenths, Dominant Sevenths
Intervals: (W - Whole Step, H - Half Step)
Root -2-3-5-6-Octave
W-W-W+H-W-W+H
Full Pattern: E Major Pentatonic Scale
Full Pattern: E Major Pentatonic Scale
< prev next>
Yvonne Elliman Lyrics
"Yvonne Elliman Hello Stranger lyrics"
(shoo-bop, shoo-bop, my baby)
(shoo-bop, shoo-bop)
Hello, stranger
(ooh) It seems so good to see you back again
How long has it been?
(ooh, seems like a mighty long time)
(shoo-bop, shoo-bop, my baby, ooh)
It seems like a mighty long time
Oh-uh-oh, I my, my, my, m
I'm so glad
You stopped by to say "hello" to me
Remember that's the way it used to be
Ooh, it seems like a mighty long time
(shoo-bop, shoo-bop, my baby, ooh)
It seems like a mighty long time
Lewis sings a series of "oh-uh-oh's"on both sides of "I'm so
glad you're here again" while
backups do 7 (shoo-bop, shoo-bop, my baby)'s
Oh-ahh-uh-oh
If you're not gonna stay
(ooh) Please don't treat me like you did before
Because I still love you so a-a-although
It seems like a mighty long time
Shoo-bop, shoo-bop, my baby, ooh
It seems like a mighty long time
Lewis does " Oh-uh-oh, I my, my, my, my" and "I'm so happy
that you're here again" and
backups repeat (shoo-bop, shoo-bop, my baby) to end
http://popup.lala.com/popup/432627060735135218
http://www.google.com/search?q=hello+stranger+it+seems+like+a+mighty+long+time&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a
Major Pentatonic Scale is derived from the Major Scale.
Just skip the 4th and 7th note of the Major Scale.
e.g. C major Scale - C D E F G A B C
C Major Pentatonic Scale - C D F G A
The exercise below starts the C Major Scale on the 5th (G).
All the notes are still inside your C Major Scale and by starting
on the 5th, it gives a different voicing and sort of allow us to have more notes to apply.
Give it a try.
|--2--|-----|-----|--5--|
|--2--|-----|-----|--5--|
|-----|--3--|-----|--5--|
|-----|--3--|-----|--5--|
Have fun!
Posted at May 3, 2009
What is the different between a Scale and a Mode?:This started out as a reply to a online posting and question. I realized a lot of players don’t know the difference between and scale and a mode or scale mode. So, I though I’d spin out a little Internet lesson and post it. I’ll be posting this to my site at some point. So here is my take on the Scale and Mode thingy.
This is not a light read. And, as with most music things, the understanding of something is a lot easier that the application of the same.
What is the different between a Scale and a Mode?
As my music guru has said many times, “Tools not rules.”
The term scale and mode are used interchangeably and in a strict theory sense there is a big difference between a scale and a mode or modal scale. They are NOT the same, even if they are the same notes.
Music is best explored and explained in context. So I’ll use the G major scale as that context.
G A B C D E F# G’ is the G Major Scale. It can be anyone of the those funny Greek sounding mode names that end in “ian”, like Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian and Ionian is all notes are equal. Sounds like one of the TLC shows with all the kids.
Even starting on one scale degree vs another doesn’t define one mode from another.
Dorian: A B C D E F# G A’
Phrygian: B C D E F# G A B’
Lydian: C D E F# G A B C’
Mixolydian: D E F# G A B C D’
Aeolian: F# G A B C D E’
Locrian: F# G A B C D E F#’
Ionian: G A B C D E F# G’
Most confusion when learning about modes, I feel comes from using the same major scale as the basis for study. Like we are doing here. But for our purposes this will really help clarify why a scale is different than a mode. And, you get seven modes for the price of one major scale.
To complicate matters. there are common traditional scale names for some of the modes that are in common use.
Dorian A B C D E F# G A’ is frequently called a minor scale. As it is a minor scale.
Phrygian B C D E F# G A B’ is also a minor scale. I don’t know of any other common name for Phrygian. I’m sure there are some.
Lydian C D E F# G A B C’, is a major scale.
Mixolydian D E F# G A B C D’ is often referred to as the Dominant scale.
Aeolian E F# G A B C D E’ this is the same as the Natural Minor scale.
Locrian F# G A B C D E F#’ a diminished scale. No other common names that I’m aware of.
Ionian G A B C D E F# G’. This is the common Major Scale.
Dorian, Aeolian and Mixolydian are common modes in use in contemporary music. Moondance is part Dorian and part Minor, Sweet Home Alabama is Mixolydian, although they didn’t know it when they wrote it.
All seven modes are just a collection of the notes G A B C D E F#. If all notes of the scale are equal it is just a scale and you can name it whatever you like. If one note is emphasized over the other six then it is one of the scale modes.
Melodically
Each mode has a characteristic scale step. When emphasized in a melody will give it’s characteristic modal sound. You then have a scale mode or mode.
The characteristic scale steps are:
Dorian: A B C D E F# G A’, characteristic scale step is F#, the sixth scale degree.
Phrygian: B C D E F# G A B’, characteristic scale step is C, the second scale degree.
Lydian: C D E F# G A B C’, characteristic scale step is F#, the fourth scale degree.
Mixolydian: D E F# G A B C D’, characteristic scale step is C, the seventh scale degree.
Aeolian: E F# G A B C D E’, characteristic scale step is G, the third scale degree.
Locrian: F# G A B C D E F#’, characteristic scale step is C, the fifth scale degree.
Ionian: G A B C D E F# G’, characteristic scale step is G, the first scale degree.
Even more to confuse you. Using triads, a three note chord. Mot common are built in thirds. Each mode has the same G Am Bm C D Em F#dim chords in it’s “chord collection”. Although modes are typically triad in nature when talking about the the primary and secondary chord’s of a mode. We should add the D7 to the collection. As a 4-part chord it is so often used as the V chord in the G Major key. In a blues the chords are typically 4-part seventh chords.
Harmonically
Just as each mode has a characteristic scale step for the mode. Each mode has characteristic chords. The characteristic chords of each mode help define the modal sound.
It is the characteristic scale step that identifies the primary chords for each mode. The primary chords of any one of the modes are the I chord of the mode and the major and minor triads that contain the characteristic scale step.
One example and I’m out of here.
A Dorian:
A B C D E F# G A’
1 2 3 4 5 6 7 8 scale degrees
I II III IV V VI VII chord functions
Characteristic scale step is the sixth, F#. So the primary chords are the I chord of the mode and the major and minor triads: Am, Bm and D
I Am (A C E)
II Bm (B D F#)
IV D (D F# A)
The C, Em and G are secondary chords of the mode and the F#dim is the lone diminished chord.
OK, one more to show that the G Ionian mode is different that the G Major scale.
Characteristic scale step is the one, G. So the primary chords are the I chord of the mode and the major and minor triads: G C and Em:
I G (G B D)
IV C (C E G)
VI Em (E G B)
In the traditional key of G major the I IV and V chords are primary chords.
Alright, one more example. D mixolydian D E F# G A B C D’. The characteristic scale step in mixolydian is the seventh, C. The primary chords are the I V and VII. D, Am and C.
Here is a 12 bar, D Mixolydian blues
|| D | C | D | D | G | G | D | D | Am | C | D | Am ||
|| I | VII | I | I | IV | IV | I | I | V | VII | I | V ||
Each mode contains notes and chords common to the major scale. So it is easy to inadvertently slip into a mode’s related major scale. When that happens, you have lost the mode and have actually moved into a major key. This can occur melodically or harmonically or both. Basically avoid or handle with care the D to G as that is the V I in our G major example.
One of the keys to all this mode or modal stuff is that the harmonic function of a chord, its I, II, III, IV, V, VI, VII is different in each mode for each chord. Here is how the AM chords functions in each mode:
Am in A Dorian is a I chord.
Am in B Phrygian is a VII chord.
Am in C Lydian is a VI chord.
Am in D Mixolydian is a V chord.
Am in E Aeolian is a IV chord.
Am in F# Locrian is a III chord.
Am in G Ionian is a II chord.
My brain hurts after that one!
Their harmonic function is completely different from mode to mode. Just like a G in the key of C is different than a G in the key of G, or G in the key of D in traditional tonic/dominant harmony.
With printed music only using key signatures for major and their relative minor keys. It is this harmonic knowledge that will allow you to determine if a song is in a major key or a mode. Yu might not need this to just play chords but to embellish the chords and improvise it is a definite plus.
This is a classic case for only naming things IN CONTEXT. In music there isn’t a lot that can be named out of context.
Here is my secert, mystical key that I use to get all the chords from any mode based on a major scale: For triads: maj, min, min, maj, maj or 7th, min dim. For 4-art 7th chords: maj7, m7, m7, maj7, 7th, m7, m7b5 or half-diminished.
This allowed me to remember the chords for this example and the related modes. I can get any mode’s chords from this sequence of chords by starting at a different point in the sequence. You don’t have to remember so much stuff. Just this tool and your major scales.
See you in New York.
PS. I’ll be giving an “Advanced Jazz” workshop. But – you definitely don’t need to be advanced to attend. If you know a few 7th chords you won’t get lost. Plus, I have great handouts.
dean martin - you belong to me - Ab
http://www.youtube.com/watch?v=9OZXhUx9Xo0&feature=player_embedded
And again please remember to practice all these major pentatonic scale patterns in all keys. Get your guitar, turn on the radio and find the key of a song, try major blues scale, minor blues scale or pentatonic scales over it.
aquarius - wholestep down from 45
http://www.youtube.com/watch?v=N9oq_IskRIg
Where is the love? Roberta Flack see Eb below
E Bm A
Where is the love? (where is the love?)
D7/9
Where is the love? (where is the love?)- BIS
E Bm
Where is the love?
E7 A
You said you'd give to me
D7/9
Soon as you were free
G C F#m A/B
Will it ever be, where is the love?
E7+ G
You told me that you didn't love him,
C7+ F#m A/B
And you were gonna say goodbye
E7+ G C7+
But if you really didn't mean it,
F#m A/B
Why did you have to lie?
E Bm
Where is the love?
E7 A
You said was mine all mine,
D7/9
Till the end of time
G C7+ F#m A/B
Was it just a lie? Where is the love?
E7+ G
If you had had a sudden change of heart
C7+ F#m A/B
I wish that you would tell me so
E7+ G C7+
Don't leave me hangin on the promises
F#m A/B
You've got to let me know
solo: E Bm E7 A D7/9 G C7+ F#m A/B
E7+ G
Oh how I wish I'd never met you
C7+ F#m A/B
I guess it must have been my fa........te
E7+ G C7+
To fall in love with someone else's love
F#m A/B
All I can do is wait (that's all I can do)
yeah yeah yeah
E Bm A D7/9
Where is the love?...
------------------------------------
Eb
Eb Bb Ab
Where is the love? (where is the love?)
Db7/9
Where is the love? (where is the love?)- BIS
Eb Bbm
Where is the love?
Eb Ab
You said you'd give to me
Db7/9
Soon as you were free
Gb B Fm Ab/Bb
Will it ever be, where is the love?
Eb+ Gb
You told me that you didn't love him,
B7+ Fm Ab/Bb
And you were gonna say goodbye
Eb7+ Gb B7+
But if you really didn't mean it,
Fm Ab/Bb
Why did you have to lie?
Eb Bbm
Where is the love?
Eb7 Ab
You said was mine all mine,
Db7/9
Till the end of time
Gb B7+ Fm Ab/Bb
Was it just a lie? Where is the love?
Eb7+ Gb
If you had had a sudden change of heart
B7+ Fm Ab/Bb
I wish that you would tell me so
Eb7+ Gb B7+
Don't leave me hangin on the promises
Fm Ab/Bb
You've got to let me know
solo: Eb Bbm Eb7 Ab Db7/9 Gb B7+ Fm Ab/Bb
Eb7+ Gb
Oh how I wish I'd never met you
B7+ Fm Ab/Bb
I guess it must have been my fa........te
Eb7+ Gb B7+
To fall in love with someone else's love
Fm Ab/Bb
All I can do is wait (that's all I can do)
yeah yeah yeah
Eb Bbm Ab Db7/9
Where is the love?...
Fool (If You Think It's Over)
Chris Rea (on tour)
The Best Of....
http://www.google.com/search?q=fool+if+you+think+it%27s+over&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a
http://www.youtube.com/watch?v=sQCymJjKLsM
Chris Rea-Fool(If you think it's over)
FOOL (IF YOU THINK IT'S OVER)
Chris Rea
Am D
A dying fl ame
Bm Em
you're free again
Am7 D
who could love
G
and do that to you.
Am7 D
All dressed in b lack
Bm Em
he won't be com ing back.
Am7 D
Save your tears
Esus4 E7
you've got years and ye ars.
Am7 D
The pains of se venteens
Bm Em
unreal, they're on ly dreams.
Am7 D
Save your cryi ng
Esus4 E7
for the day.
Am7 D
Fool, if you think it's over,
G Em
'cos you said goodb ye.
Am7 D
Fool, if you think it's over,
Esus4 E7
I'll tell you why.
Am7 D
New born eyes always cry with pain
G Em
at the first look at the morning sun
Am7 D
Fool, if you think it's over,
Esus4 E7
it's just be gun.
Am D
Miss teenage dream
Bm Em
Such a tragic s cene
Am7 D
he knocked your crown
G
and ran away.
Am7 D
First wound of p ride
Bm Em
but how you cri ed and cried
Am7 D
but save your tears
Esus4 E7
you've years and years.
A SUMMER SONG - Chad and Jeremy
(The verses are a G Em C D progression two beats per chord in 4/4 time)
G Em C D G Em C
Trees swayin' in the summer breeze
D G Em C
Showin' off their silver leaves
D G Em C D
As we walked by
G Em C D G Em C
Soft kisses on a summer's day
D G Em C
Laughing all our cares away
D G Em C D
Just you and I
G Em C D G Em C
Sweet sleepy warmth of summer nights
D G Em C
Gazing at the distant lights
D G Em C D
In the starry sky
C D G C
They say that all good things must end some day
Am D Em
Autumn leaves must fall
D G Bm
But don't you know that it hurts me so
C Bm-C
To say goodbye to you
Em D
Wish you didn't have to go
Em D
No no no no
And when the rain
Beats against my window pane
I'll think of summer days again
And dream of you
They say that all good things must end some day
Autumn leaves must fall
But don't you know that it hurts me so
To say goodbye to you
Wish you didn't have to go
No no no no
And when the rain
Beats against my window pane
I'll think of summer days again
And dream of you
And dream of you
===
A SUMMER SONG - Chad and Jeremy
(The verses are a G Em C D progression two beats per chord in 4/4 time)
A F#m D E A F#m D
Trees swayin' in the summer breeze
E A F#m D
Showin' off their silver leaves
E A F#m D E
As we walked by
A F#m D E A F#m D
Soft kisses on a summer's day
E A F#m D
Laughing all our cares away
E A F#m D E
Just you and I
A F#m D E A F#m D
Sweet sleepy warmth of summer nights
E A F#m D
Gazing at the distant lights
E A F#m D E
In the starry sky
D E A D
They say that all good things must end some day
Bm E F#m
Autumn leaves must fall
E A C#m
But don't you know that it hurts me so
D C#m D
To say goodbye to you
F#m E
Wish you didn't have to go
F#m E
No no no no
And when the rain
Beats against my window pane
I'll think of summer days again
And dream of you
They say that all good things must end some day
Autumn leaves must fall
But don't you know that it hurts me so
To say goodbye to you
Wish you didn't have to go
No no no no
And when the rain
Beats against my window pane
I'll think of summer days again
And dream of you
And dream of you